AS PART of a travelling Christian drama group, Don Sutterfield used to perform short plays. In one, a young man gives his girlfriend a rose and tries to persuade her to have premarital sex. The couple walk off, leaving the rose behind. Jesus picks it up and starts plucking the petals. “They love me, they love me not…”
Pious audiences loved it, says Mr Sutterfield. He and his chums would stand at the altar of a Pentecostal church, speaking in tongues, laying on hands and praying for members of the congregation to be delivered from sin, sickness and sexual perversion. Occasionally, they would attempt to drive out evil spirits. It was incredibly dramatic, says Mr Sutterfield: like the movie “The Exorcist”, only with lots of exorcists. At the time, Mr Sutterfield was “immeasurably proud” of his work. But with hindsight, he thinks it was a load of mumbo-jumbo. He is now a militant atheist. He organises secular groups at universities and, this summer, volunteered at Camp Quest, a network of summer camps for secular kids. Lexington visited one in Clarksville, Ohio.
In most ways, it is like other summer camps. Kids aged 8 to 17 share cabins in the woods. During the day, they paddle canoes, shoot arrows, go swimming and explore nature. At night, they chat beneath the stars. Like other summer camps, Camp Quest satisfies a demand that springs from America’s combination of very long holidays for children and very short ones for their parents. Unlike other camps, it is staffed entirely by humanists.
They are not pushy or preachy, but scepticism flavours nearly everything they do. Lunch comes with a five-minute talk about a famous freethinker. Campers are told that invisible unicorns inhabit the forest, and offered a prize if they can prove that the unicorns do not exist. The older kids learn something about the difficulty of proving a negative. The younger ones grow giggly at the prospect of stepping in invisible unicorn poop. There’s a prize for the tidiest cabin, too, because “cleanliness is next to godlessness”, jokes Amanda Metskas, the director.
